The Status Of The Artist - 1829 Words

Chapter 3: Artist/Patron who had the most the most power in the relationship? To establish the power of art we must also consider what kind of power the artist held. There is much controversy surrounding this topic, with highly varying opinions from different historians, so much so that Evelyn Welch comes to the conclusion that a generalisation on the issue of the status of the artist, in this relationship, cannot be defined without ignoring significant evidence. This chapter will consider the evolution of the status of the artist throughout the period by analysing specific examples to show the disparity between artists of the same era and come to a conclusion about who had the most power in the relationship. Artists’ power varied greatly depending on who they were, what stage of their career they were at, and what time they practiced their art. For example Filippo Lippi when writing to Giovanni Cosimo de’ Medici admitted that â€Å"[he was his] servant.† This self-deprecating statement provides insight into this artist’s perception of himself and relationship with his patron. In this instance Lippi requests additional funding for higher quality materials, before stating that he will follow Giovanni’s every instruction, without deviation. Clearly when considering this commission it is clear that it was the patron Giovanni who held the most power. Comparing this with Donatello’s outburst, when he destroyed a bust of a client who tried to underpay, demonstrates the wideShow MoreRelatedThe Cahnging Role and Status of the Artist 1300-16002133 Words   |  9 PagesThe Changing Role and Status of the Artist 1300 – 1600 To explore the changing role and status of the artist during the period 1300 – 1600 we have first to look at the period of time prior to this. For a thousand years before, Rome had ruled most of Europe, bringing new developments in technology, education and government, but after Rome fell to invaders in 542 CE, Western Europe became stagnant, a period we now term as the Middle Ages. Ordinary people did not venture far from their hamletsRead MoreThe Rebirth Of Art : Patrons And Artists936 Words   |  4 Pages The Rebirth of Art: Patrons and Artists The Renaissance, or â€Å"re-birth,† was a flourishing period of art that produced and developed different styles of art and other innovations. The art market grew tremendously due to the rise of materialism and a market for expensive goods. Art was not only viewed as an object for worship, but also as a highly valuable commodity. Artists were no longer just seen as artisans, but as talented artists, and the patrons were seen as wealthy, powerful people. The artRead MoreNgugi Freedom Of The Artist1416 Words   |  6 Pagesof Ngugi Wa Thiong’s essay â€Å"Freedom of the Artist† Ramanjot Kaur Medicine Hat College ENG252 Dr. Navneet Kumar December 1, 2017 â€Å"Art for art’s sake view sets the artist free, and enables them to be more creative in art, it helps their piece of art being purified from the restricted doctrines of ordinary life. Ngugi Wa Thiong’o was one of the important follower of â€Å"Art for art’s sake† view. Ngugi in his essay aspires to make artists conscious about their important role in aRead MoreWhen Is Art Not Really Art? Essay940 Words   |  4 Pagesis that art is when the artist has captured the spirit of what is being painted, drawn, etc. Most consider art to be something aesthetically pleasing made by an artist with a specific medium. However, there are issues with this definition. One thing may be appealing to one person and not to another. A painting of the Virgin Mary may be fantastic to one person and the ugliest painting ever to be made to another. Art can be made by people who are not really considered artists. There are plenty of peopleRead MoreThe Black Feminist Art Of A Mainstream Gallery Or Museum812 Words   |  4 PagesRegardless of the difficulty, these artists have what it seemed as a successful art career. What is clear, the need to exhibit in a mainstream gallery or museum is not a priority, being consistence and creating a network is important. I do not believe any of these artists would turn away an exhibit in a mainstream gallery or museum. There is a great difference in the support network system in the 1970’s than today. For Picket and Washington there were black art organizations, which helped them enterRead MoreCompare And Contrast Leonardo Da Vinci And Michelangelo754 Words   |  4 PagesEvery painting is a unique experience for each individual person, therefore two of the artists that offered some of the most unique experiences where Leonardo da vinci and Michelangelo. While both of these painters are today well regarded and remembered, during their time they both had achieved such status in vastly different ways. Therefore even though these two artists lived during the same time these two are nothing alike. With their unique take on the world and events around them they were ableRead MoreThe Black Death Of The Middle East1456 Words   |  6 Pagesdivided into independent city states; each had a different form of government. Florence, where the Italian renaissance initially began, was an independent republic. Many of the wealthy Florentine’s flaunted their power and power by becoming patrons of artists and scholars. The Florentine people admired the a rt and writing of the classical age, the time of the Greek and roman empires. To revive the glory and grandeur of the ancient past, these scholars studied classical literature, architecture, and sculptureRead MoreEssay on The Getty Villa857 Words   |  4 PagesBrittany LeBlanc Professor Holliday Art History 111A 15 November 2010 Gravestone of a Woman with Her Attendant The Gravestone of a Woman with her attendant is a sculpture created by an unknown artist and is now on display at the Getty Villa in Malibu, California. The sculpture is of a woman seated in a cushioned armchair, reaching out to lightly touch the top of a box or chest held by her attendant. We can tell from the sculpture that the women is of a higher class because of how her hair isRead MoreHow The Middle Ages Influenced the Renaissance.1108 Words   |  5 Pagescentered around the Church. The purpose of art was to glorify the life, death, and resurrection of Jesus Christ (Altshuler, 2009, p. 127). Art was not made to produce a feeling it was made simply to tell a story. Artists were usually sanctioned by the church to complete specific works. All artists were male with the exception of some women who did embroideries (Altshuler, 2009, p. 127). Many different types of media was used during this time including; paint, embroidery, stain glass, relief statues andRead MoreThe Beginning Of The Twentieth Century1482 Words   |  6 Pagesevent not just in the changes of ideology, technology, but also the way artists approach art. Communism and Fascism were on the rise and technological advances held strong since the industrial revolution. However, â€Å"The need for a wholesale new approach to art in the nineteenth century arose as the traditional forms of art were borne down on by new conditions and experiences.† (21) became apparent. To satisfy this need artists took many different approaches, but three most significant they approaches